Watch as Cameron becomes a Eunuch before your very eyes....
Intimidated by the Muslim was machine perhaps?
Greyson's Gay movie themes would seemingly be out of place
with an Israeli orientated affair, but this was about Tel Aviv.
The withdrawal smacks of attacking freedom of expression or an imposed censorship.
Perhaps this will stir a controversy...
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An Open Letter on City to City: Tel Aviv
On August 27, John Greyson withdrew his film Covered from the Toronto International Film Festival as a protest against our City to City focus on films from Tel Aviv. The next day, he and nine other Torontonians issued a petition inviting the city’s cultural communities to “protest TIFF's complicity with the Israeli propaganda machine.” We felt it was important to directly respond to these allegations.
Obviously we are disappointed by John’s decision to withdraw his film. We are great admirers of his work and have been presenting his films at our Festival for almost 20 years. That said, we were surprised that he took this action given the facts of the situation.
As the programmer of City To City, I was attracted to Tel Aviv as our inaugural city because the films being made there explore and critique the city from many different perspectives. Furthermore, the City to City series was conceived and curated entirely independently. There was no pressure from any outside source. Contrary to rumours or mistaken media reports, this focus is a product only of TIFF’s programming decisions. We value that independence and would never compromise it.
The goal of City to City is to take a closer look at global cities through a cinematic lens, especially cities where film contributes to or chronicles social change in compelling ways. We believe that the 10 films in our inaugural programme do just that. We encourage everyone to see the films, engage in debate and draw their own conclusions.
In addition to City to City, our Festival lineup also includes other important films from the region, including two films by Palestinian filmmakers and others from Lebanon and Egypt. As these films address the past history and current realities of the region, we hope they will become part of this year's conversations.
John writes that his protest isn’t against the films or filmmakers we have chosen, but against the spotlight itself. By that reasoning, no films programmed within this series would have met his approval, no matter what they contained. For us, the content and form of films does matter. In fact, when I met with a number of the signatories earlier this week, I encouraged them to see the films before passing judgment on the programme. Regrettably, they chose a different route. We know some of them to be veterans of Toronto’s battles against censorship -- all the more surprising to watch them denounce a film series without seeing the films in it.
We recognize that Tel Aviv is not a simple choice and that the city remains contested ground. We continue to learn more about the Palestinian-led Boycott, Divestment and Sanctions movement. As a festival that values debate and the exchange of cultures, we will continue to screen the best films we can find from around the world. This is our contribution to expanding our audiences’ experience of this art form and the worlds it represents.
Cameron Bailey
Co-Director, Toronto International Film Festival
I wonder if John Greyson's big public hissy fit about TIFF has anything to do with him being on the Advisory Board of the Toronto Palestinian Film Festival and always pushing for a world-wide boycott of anything even remotely related to Israel?
ReplyDeleteKnowing what TIFF's plans were, one wonders why he waited to the last moment to withdraw, rather than just in the beginning many months ago withdrawing?