Published: May 11th, 2014
Latest update: May 12th, 2014
Latest update: May 12th, 2014
Before rejecting Oz’s comments, it is important to note that he could be an important social voice for Israelis of every stripe. His books, from My Michael to In the Land of Israel to A Tale of Love and Darkness reveal a passion for Israeli society, and for the Land of Israel, that few contemporary writers have managed to capture. Oz’s 1950s-era Jerusalem is a quiet border town where observant and secular Jews lived together as neighbors. His writing betrays a deep, emotional connection to the city, and to the Jerusalemites with whom he shared his adolescent years.
Oz’s relationship with Jewish tradition is less obvious, but a close reading of his work in Hebrew brings to mind another of Israel’s leading writers: Nobel laureate Shai Agnon. In contrast to Agnon, Oz’s work does not obviously draw on traditional sources or Jewish history. But he is clearly influenced by Agnon, and perhaps therefore by Agnon’s close relationship with Jewish sources. In short, it is simply impossible to dismiss Amos Oz as a “self-hating” Jew or Israeli.
All of which is what makes Oz’s absurd comparison of price tag vandals to European neo-Nazis so upsetting. Self-criticism is a sign of strength, not weakness, and many of Oz’s observations about the religious-Zionist world are deserving of consideration. Yes, many religious Zionist communities have failed to excise the price taggers from their midsts (public condemnations from religious Zionist leaders notwithstanding, does anyone doubt that price taggers would be awarded aliyot [Torah honors] at most synagogues in Judea and Samaria?). It is true that the price taggers enjoy a certain measure of backing, stated or implied, from rabbinic figures in Judea and Samaria and farther afield. Religious Zionist would do well to consider those facts.
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